Henry James and the Queerness of Style (Hardcover)
Univ Of Minnesota Press, 9780816654932, 248pp.
Publication Date: April 11, 2011
For Ohi, there are many elements in the style that make James’s writing queer. But if there is a thematic marker, Ohi shows through his careful engagements with these texts, it is belatedness. The recurrent concern with belatedness, Ohi explains, should be understood not psychologically but stylistically, not as confessing the sad predicament of being out of sync with one’s life but as revealing the consequences of style’s refashioning of experience. Belatedness marks life’s encounter with style, and it describes an experience not of deprivation but of the rich potentiality of the literary work that James calls “freedom.” In Ohi’s reading, belatedness is the indicator not of sublimation or repression, nor of authorial self-sacrifice, but of the potentiality of the literary—and hence of the queerness of style.
Presenting original readings of a series of late Jamesian texts, the book also represents an exciting possibility for queer theory and literary studies in the future: a renewed attention to literary form and a new sounding—energized by literary questions of style and form—of the theoretical implications of queerness.
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Praise For Henry James and the Queerness of Style…
"Henry James and the Queerness of Style is a brilliant, extraordinarily erudite exemplar of reading and writing as queer practices. It will help to usher in a fresh phase of James studies, in which queerness is the point of embarkation, rather than the ultimate destination." —Gustavus Stadler, Haverford College