Modernism and the Women’s Popular Romance in Britain, 1885-1925
Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since.
Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats.
Praise For Modernism and the Women’s Popular Romance in Britain, 1885-1925…
— Cahiers Victoriens et Édouardiens
— The Historian
— Elizabeth Outka, Author of Consuming Traditions: Modernity, Modernism, and the Commodified Authentic
— Jesse Matz, Author of The Modern Novel: A Short Introduction
Ohio University Press, 9780821419700, 324pp.
Publication Date: December 6, 2011
About the Author
Martin Hipsky is a professor of English and an associate dean of first- year students at Ohio Wesleyan University. He is the author of numerous articles on British modernism, postmodern fiction, and popular film.