Building Character (Hardcover)
The Racial Politics of Modern Architectural Style (Culture Politics & the Built Environment)
University of Pittsburgh Press, 9780822945550, 320pp.
Publication Date: November 19, 2019
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In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of “race” and “style” as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists—Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze—to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.
About the Author
Charles L. Davis II is an Architectural Historian and Critic and an Assistant Professor of Architectural History at the University of Buffalo.
Praise For Building Character: The Racial Politics of Modern Architectural Style (Culture Politics & the Built Environment)…
“In this much-needed book, Charles Davis situates discourses of race and nationalism within the context of architectural history and historiography, bringing visibility to race and its impacts on architectural style and building typology. Building Character is an innovative and compelling exploration of the race concept as a fundamental issue within the study of modern architecture.” —Milton S. F. Curry, University of Southern California
“By investigating how race shapes historical meaning and cultural associations of architectural forms, systems, and discourses, Davis makes an outstanding contribution to current debates in architectural history and theory. This book is a groundbreaking effort, an incomparable study.” —Mabel O. Wilson, Columbia University