Red Clay Weather (Pitt Poetry Series) (Paperback)
University of Pittsburgh Press, 9780822961499, 104pp.
Publication Date: January 30, 2011
Clay, red clay in particular, recurs several times throughout the collection as a motif of earth. It is the substance of creation, but always of impermanent things, whether heroes or Babylonian statues with feet of clay, or of things durable but fragile, such as the cuneiform tablets of ‘A Parking Lot Just Outside the Ruins of Babylon.’”
—Robert Philen, from the Foreword
About the Author
Reginald Shepherd (1963–2008) was the author of five previous books of poetry: Otherhood; Wrong; Angel, Interrupted; Some Are Drowning; and Fata Morgana. His work has been widely anthologized, and has appeared in four editions of The Best American Poetry and two Pushcart Prize anthologies.
Praise For Red Clay Weather (Pitt Poetry Series)…
“These last poems put Shepherd’s careerlong synthesis of classical imagery, African-American history and experience, contemporary language, and edgy aesthetics to new purposes. . . . Shepherd was a beloved and controversial poet; his voice will be missed.”
“I’m forever grateful to University of Pittsburgh Press and Robert Philen for Red Clay Weather. Reginald Shepherd's poetry is pearl-like: vulnerable and enduring, an iridescent response to the world's potential threat and damage. His work is exquisite, unabashed, encompassing, real, and all too rare, an extraordinary natural artifact of existence.”
“At mid-life, the self starts to dissolve into a more impersonal Self—call it something integrated, individuated, divine. Like those whose names are ‘writ on water,’ Reginald Shepherd’s final poems in this posthumous volume testify to a life courageously lived to the full—an Orphic downstream singing to the end.”
“Reginald Shepherd’s full contribution to his art and his community will take some time to become clear, but this book goes a long way toward that clarity. These poems are filled with a terrible brilliance, as when he says: ‘Nurse says she recognizes me in light's edict.’ We who watched the work appear over the decades recognize him here, making his love to the language, sharing his dreams and ambitions for it.”
“Shepard was one of the finest young poets of his generation. Loud, proud, and obssessed with poetry, he knew how to awaken people with its power and how to destroy myths about the limits of language. His five books will stand the test of time as some of the best collections of the last 20 years.”
—The Bloomsbury Review
“[‘Red Clay Weather’] may be his best and most consistent collection; these lyrical testimonies move with great, surefooted earnestness and poignant musical clarity from one end to the other.”