Across the Disciplines
University of Pittsburgh Press, 9780822962205, 240pp.
Publication Date: December 30, 2012
Individual chapters treat manifestations of fear in the mass panic of the stock market crash of 1929, as spectacle in warfare and in horror films, and as a political tool to justify security measures in the wake of terrorist acts. They also describe the biological and evolutionary roots of fear, fear as innate versus learned behavior in both humans and animals, and conceptions of human “passions” and their self-mastery from late antiquity to the early modern era. Additionally, the contributors examine theories of intentional and non-intentional reactivity, the process of fear-memory coding, and contemporary psychology’s emphasis on anxiety disorders.
Overall, the authors point to fear as a dense and variable web of responses to external and internal stimuli. Our thinking about these reactions is just as complex. In response, this volume opens a dialogue between science and the humanities to afford a more complete view of an emotion that has shaped human behavior since time immemorial.
About the Author
Benjamin Lazier is associate professor of history and humanities at Reed College and the author of God Interrupted: Heresy and the European Imagination Between the World Wars.
Praise For Fear: Across the Disciplines…
—Michael Laffan, Princeton University
—Joseph LeDoux, author of The Emotional Brain and Synaptic Self
“This is a book about how we have come to know what we think we know about the emotion of fear. The editors, Jan Plamper and Benjamin Lazier, argue that we remain, to some extent, trapped in a ‘phobic regime’ that we have inherited from the nineteenth century. It was then that fear came to be seen as an evolutionarily conditioned, politically manipulable phenomenon, not necessarily directed toward any specific threat; and, at the same time, as the most ancient and thus the most decisive of human emotions. . . . The book is cleverly organized so that later chapters often serve to historicize earlier ones, and the editors' introduction succeeds marvelously in placing the chapters in dialogue with each other. . . . a truly multidimensional appreciation of the historicity of fear.”