The Guerilla Film Makers Handbook
The best-selling low-budget filmmaker's bible in the UK has now, at long last, been totally revamped for the American market. The two authors have interviewed hundreds of film industry insiders, resulting in, without doubt, the most comprehensive, entertaining, information-packed book available in America on how to produce a low-budget movie.
The book has 3 main sections: Anatomy of a Movie, Case Studies, and The Toolkit. Anatomy of a Movie features in-depth, candid interviews with a huge cast of people already working in the film industry - from script readers to bank managers; from casting directors to costume providers; and from sound mixers to negative cutters. Case Studies tells the stories of a selection of low-budget movies, and how they were made. These include Chris and Genevieve's own films, as well as international successes like The Blair Witch Project and Lock, Stock and Two Smoking Barrels. The Toolkit is an amazing resource for new filmmakers, incorporating a huge range of sample legal contracts and agreements, as well as templates for production forms like locations checklists, shooting schedules, and call sheets.Earn by promoting books
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Become an affiliateGenevieve Jolliffe met Chris Jones at film school and the two went into independent filmmaking through their production company, Living Spirit Pictures. She directed their third film together, "Urban Ghost Story," in 1998. After moving to Los Angeles, Genevieve was a major force in pulling together the US edition of "The Guerilla Film Makers Handbook," and she also co-authored "The Documentary Film Makers Handbook" in 2006. With her husband and screenwriting partner Andrew Zinnes, she has sold projects to Warner Bros and has two indie features set to be filmed in 2010.
American Reference Books Annual
'Comprehensive and invaluable...a revelatory read that will inform and inspire in equal measure.' Empire magazine
Blurb from reviewer
'Immensely informative and entertaining to read...a terrific book for anyone interested in films.' BBC Radio 4