Willa Cather (Hardcover)
Stories, Poems, & Other Writings (LOA #57): Alexander's Bridge / My Mortal Enemy / Youth and the Bright Medusa / Obscure Destinies / The Old Beauty and Others / other writings (Library of America Willa Cather Edition #3)
Library of America, 9780940450714, 1039pp.
Publication Date: March 1, 1992
Many of her finest stories, among them “Coming, Aphrodite!”—a New York tale of passion and ambition—and the subtly constructed “Old Mrs. Harris,” are unfamiliar to most readers. Her earliest, uncollected stories are steeped in memories of prairie childhood. Her earliest, uncollected stories are steeped in memories of prairie childhood. “On the Divide,” “The Enchanted Bluff,” “Eric Hermannson’s Soul,” and others contain many of the themes of her later work, evoking the loneliness and hardship as well as the beauty and challenge of pioneer life ”on the bright edges of the world.”
In the stories of Youth and the Bright Medusa (1920), which includes “The Sculptor’s Funeral,” “The Diamond Mine,” and the well-known “Paul’s Case,” artists and other sensitive spirits struggle to preserve their integrity in a society ruled by convention and routine. Obscure Destinies (1932) presents three moving tales set in the western landscapes Cather loved. Her characters are endowed with some of the meditative solidity found in the portraits of Rembrandt, like the old farmer in “Neighbour Rosicky” who has only “one tap root that goes down deep.” The Old Beauty and Others (1948), published shortly after Cather’s death, includes “The Best Years,” a Nebraska story that has a mournful charm unlike anything else she wrote.
Cather’s distinctive, lyrical prose can be found not only in her fiction but also in her “occasional” pieces—an appreciation of Sarah Orne Jewett, luminous reminiscences of Mrs. James Fields and her house in Boston, an account of meeting Flaubert’s niece in Aix-les-Bains. Her critical essays, such as “The Novel Démeublé” and “On the Art of Fiction,” which appear in Not Under Forty (1936), and her reviews of authors from Mark Twain to Frank Norris, as well as her appraisals of her own work, cast a discerning light on the creative role of the artist.
This volume also contains Cather’s first novella, Alexander’s Bridge (1912), My Mortal Enemy (1926), a powerful novella in which a strong-willed woman brings about her own ruin, and Cather’s only book of poetry, April Twilights and Other Poems (1933).
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Photo: AKG London