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This book split my heart open and reminded me how much immigrants matter, how much we all carry the traces of other worlds. LIDIA YUKNAVITCH, The Chronology of Water California Calling is a lyrical self-interrogation of obsession, emigration, and identity. Natalie Singer's story opens in a courtroom on a witness stand, where she's forced to testify in a family breakup that changes the course of her life. At sixteen Natalie emigrates from Montreal and the secrets it holds to the golden promise of the California Bay Area, just as her Jewish ancestors fled Russia and went west for a new life. Through uneasy rituals of high school pep rallies and college sex in boats and the backs of pickups, to a summer tracing a serial killer through the heart of Gold Country, to an eventual journalism career in San Francisco and the deserts of Palm Springs, Natalie aches to forge an American identity. At once an intimately unflinching memoir and a probing examination of the family and cultural myths that shape us, California Calling calls upon history, reportage, witness interrogation tactics, music and pop culture, and the iconography of the West to explore whether we can cure loneliness through landscape. Ultimately, California Calling is a search for a state of belonging.
Hawthorne Books, 9780998825717, 291pp.
Publication Date: March 13, 2018
About the Author
Natalie Singer is the author of the memoir CaliforniaCalling: A Self-Interrogation (Hawthorne Books, March 2018). Her writing has been published or is forthcoming in journals, magazines, and newspapers including Proximity, Lit Hub, Hypertext, Literary Mama, The Washington Post, The Seattle Times, ParentMap, Alligator Juniper, Brain, Child, Largehearted Boy, The Nervous Breakdown, The Cut, Full Grown People and the 2015 anthology Love and Profanity. Natalie has been the recipient of several awards, including the Pacific Northwest Writers Association nonfiction prize and the Alligator Juniper nonfiction prize. California Calling was first runner up for the Red Hen Press nonfiction prize and a finalist for the Autumn House Press nonfiction prize. Natalie has taught writing inside Washington State's psychiatric facility for youth and Seattle's juvenile detention center, and she has worked as a journalist at newspapers around the West. She is a 2017-2018 writer-in-residence at On the Boards, a contemporary performing arts collective in Seattle, where her writing responds to the season's works and creates a conversation with the community. Natalie earned her MFA in Creative Writing and Poetics from the University of Washington. Originally from Montreal, she lives in Seattle. (@Natalie_Writes)