Mad Men Carousel (Paperback Edition)
The Complete Critical Companion
Each episode review also includes brief explanations of locations, events, consumer products, and scientific advancements that are important to the characters, such as P.J. Clarke’s restaurant and the old Penn Station; the inventions of the birth control pill, the Xerox machine, and the Apollo Lunar Module; the release of the Beatles’ Revolver and the Beach Boys’ Pet Sounds; and all the wars, protests, assassinations, and murders that cast a bloody pall over a chaotic decade.
Mad Men Carousel is named after an iconic moment from the show’s first-season finale, “The Wheel,” wherein Don delivers an unforgettable pitch for a new slide projector that’s centered on the idea of nostalgia: “the pain from an old wound.” This book will soothe the most ardent Mad Men fan’s nostalgia for the show. New viewers, who will want to binge-watch their way through one of the most popular TV shows in recent memory, will discover a spoiler-friendly companion to one of the most multilayered and mercurial TV shows of all time.
It's the perfect gift for Mad Men fans and obsessives.
Also available from Matt Zoller Seitz: The Oliver Stone Experience, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.
Abrams Press, 9781419729461, 464pp.
Publication Date: October 10, 2017
About the Author
Megan Abbott is the Edgar®-winning author of the novels Queenpin, The Song Is You, Die a Little, Bury Me Deep, The End of Everything, Dare Me, and her latest, The Fever, which was chosen as one of the Best Books of the Summer by the New York Times, People magazine, and Entertainment Weekly, and one of the Best Books of the Year by Amazon, National Public Radio, the Boston Globe, and the Los Angeles Times. Her writing has appeared in the New York Times, Salon, the Guardian, the Wall Street Journal, the Los Angeles Times Magazine, the Believer, and the Los Angeles Review of Books. Abbott is also the author of a nonfiction book, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir, and the editor of A Hell of a Woman, an anthology of female crime fiction. She has been nominated for many awards, including three Edgar® Awards, the Hammett Prize, the Shirley Jackson Prize, the Los Angeles Times Book Prize, and the Folio Prize. She lives in New York City.
Max Dalton is a graphic artist living in Buenos Aires, Argentina by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2012) and The Wes Anderson Collection: The Grand Budapest Hotel (Abrams 2014). Max started painting in 1977 and since 2008, he has been creating posters about music, movies, and pop culture.