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Boasting the intellectual rigor of a historian and the passion of a diehard fan--a groundbreaking narrative account of the biggest and most misconstrued rivalry in the annals of rock and roll.
With the sophistication of a historian, the storytelling skills of a journalist, and the passion of a fan, John McMillian explores the multifaceted relationship between the two greatest bands of our time.
In the 1960s the two biggest bands in the world--the lovable Beatles and the bad-boy Rolling Stones--waged an epic battle. "The Beatles want to hold your hand," wrote Tom Wolfe, "but the Stones want to burn down your town." Both groups liked to maintain that they weren't really "rivals"--that was just a media myth, they politely said--but on both sides of the Atlantic, they plainly competed for commercial success and aesthetic credibility. In Beatles vs. Stones
, John McMillian gets to the truth behind the ultimate rock 'n' roll debate.
McMillian reveals how music managers helped to construct the Beatles-Stones rivalry as they set out to engineer moneymaking empires. He explores how the Beatles were marketed as cute and amiable, when in fact they came from hardscrabble backgrounds in Liverpool. By contrast, the Stones were cast as an edgy, dangerous group, even though they mostly hailed from the London suburbs. Although the Beatles always sold more records than the Stones, the Stones seemed to win greater credibility with the "right" types of fans: discerning bohemians, as opposed to hysterical teenyboppers. Later, the Beatles embraced Flower Power, while the Stones briefly aligned themselves with New Left militance. Ever since, writers and historians have associated the Beatles with the gauzy idealism of the "good" sixties and portrayed the Stones as representatives of the dangerous and nihilistic "bad" sixties. Beatles vs. Stones
explodes that split.
In a lively narrative that whisks readers from Liverpool to London to New York City--and to various recording studios, nightclubs, concerts, courtrooms, and protest rallies in between--McMillian also delves into the personal relationships between the two groups. In one chapter we see Lennon and McCartney huddle up in a rehearsal space and show the Stones how to write their own material; in another we eavesdrop on Jagger and Richards as they watch the Beatles play Shea Stadium from the visitors' dugout. McMillian also shows us how the two groups feuded about which act would headline a legendary Poll Winners' concert and the pernicious effect that the American businessman Allen Klein had on both bands.
Based on exhaustive research in primary sources, including overlooked teen magazines and underground newspapers, Beatles vs. Stones
tells a vital story of the 1960s through the lens of music's greatest rivalry. Spirited, insightful, and gracefully written, this is the definitive account of the friendship and rivalry between the Beatles and the Rolling Stones.
Praise for Smoking Typewriters:
"The story that John McMillian tells in Smoking Typewriters and the lessons he implies are at once admonitory and inspirational; this is a work of serious scholarship that suggests both a call to resurgent action and a demand that people do better next time."
—Roz Kaveney, Times Literary Supplement
“McMillian turns the clock back to the college radicals who shaped the influential underground press to give voice to the disfranchised, in his highly detailed book. Not only does he show the rich yet erratic contribution of the publications and their founders, but he reveals FBI Director Hoover's plots against them, employing infiltrators, wiretaps, forged documents, and smear campaigns… McMillian has contributed a solid and informed commentary on the New Left's independent press.” —Publishers Weekly
"Readable, richly detailed study of the hundreds of anti-establishment 1960s newspapers . . . A welcome book on the '60s--a nostalgia trip for those who were there and a vivid work of history for anyone curious about the journalism that jolted a decade."
—Kirkus Reviews, starred review
"Meticulously researched and richly written with humor, tragedy, and grace." —Library Journal
“A lively chronicle of the dedication, ecstasies, nuttiness, pathologies, and generational cockiness of the 1960s left that the decade's underground press reported and embodied." —The American Prospect