The Empty Family
Critics praised Brooklyn as a “beautifully rendered portrait of Brooklyn and provincial Ireland in the 1950s.” In The Empty Family, Tóibín has extended his imagination further, offering an incredible range of periods and characters—people linked by love, loneliness, desire—“the unvarying dilemmas of the human heart” ( The Observer, UK).
In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party.
The Empty Family will further cement Tóibín’s status as “his generation’s most gifted writer of love’s complicated, contradictory power” ( Los Angeles Times ).
Praise For The Empty Family: Stories…
“[The Empty Family] reconfirms his mastery of the short story…. Toíbín raised his profile with the exquisitely bittersweet Brooklyn, and this collection is every bit as rich… Likely to rank with the best story collections of the year.”—Kirkus (starred review)
“The work of a supreme writer who only improves.”—The Times (U.K.)
“This is some of Toíbín’s most beautiful and heart-stopping writing. The story ‘The Street’ is one of the great love stories of our time, gay or straight.”—Edmund White, author of City Boy
“A collection that will only further fuel Toibin's ascent through English fiction.”—The Independent (UK)
Scribner, 9781439195963, 288pp.
Publication Date: January 3, 2012