Will's Words (Hardcover)
How William Shakespeare Changed the Way You Talk
Charlesbridge, 9781580896382, 40pp.
Publication Date: March 22, 2016
Other Editions of This Title:
But, Jane embraces her dilemma, writing about Shakespeare, his plays, and his famous phrases with glee. After all, what better words are there to use to write about the greatest writer in the English language than his very own? As readers will discover, "the long and the short of it" is this: Will changed the English language forever.
Backmatter includes an author’s note, a bibliography, and a timeline.
About the Author
JOHN SHELLEY grew up near Shakespeare’s birthplace at Stratfordupon-Avon. He has illustrated more than forty children’s books, including Stone Giant: Michelangelo’s David and How He Came to Be and Family Reminders. John lives in Norwich, England.
Praise For Will's Words: How William Shakespeare Changed the Way You Talk…
-School Library Journal, starred review
Sutcliffe presents an enjoyable, if slightly rocky, introductory reconnaissance into Shakespeare's wordplay. Shakespeare could turn a phrase, and Sutcliffe brings a number of them to readers' attention, smartly worked into a vest-pocket history of London theater during Shakespeare's days. Shelley's artwork is a lively accompaniment, delicate in color and linework but bustling as only a big population in small confines can be. Each double-page spread presents a few paragraphs of text about London theater on verso, the occasional word or phrase printed in boldface. On recto are boxed items that give the meanings of the highlighted words—and how some have changed considerably: "wild-goose chase" meant a horse race with the leader and followers in the shape of geese in flight; now it means a useless search. The location of the words in Shakespeare's works is also provided, and there's a handy timeline at the end of the book. There are gems—"too much of a good thing," "a sorry sight," "foul play" ("fair play," too)—but then there are some complete mysteries: "excitement," "fashionable," "well behaved," all of which underwhelm. Why bother with these when there are so many goodies to choose from? "Crack of doom," "break the ice," "brave new world"—treasures all. Still, even if what's done is done, there is absolutely no need to knit a brow or make short shrift of this well-tempered piece of work.
Despite both title and subtitle, the value of this picture book lies in its delightful, realistic illustrations and the simple text's introduction to Elizabethan theater. About 30 terms Shakespeare either coined or made common are included meaningfully in the narrative, a pair or so on each two-page spread. The narrative itself explains the place of theater in Londoners' daily lives (for both audience members and actors), the Globe Theatre's architecture, and how Shakespeare's verbal richness spread into daily figures of speech. But it's the illustrations that steal the show. Each spread is crowded with intricate, colorful details that seem to spring to life in, for instance, a cutaway of backstage actions, the crowd arriving for an afternoon's performance, how different social classes positioned themselves during the play, London street scenes, and so on. These watercolor and pen-and-ink images invite endless searching of the crowds' unique faces and Thames River vistas.