NYRB Classics, 9781590172896, 208pp.
Publication Date: November 18, 2008
Other Editions of This Title:
Paperback, Large Print (5/29/2008)
Pinocchio the novel, no less than Pinocchio the character, is one of the great inventions of modern literature. A sublime anomaly, the book merges the traditions of the picaresque, of street theater, and of folk and fairy tales into a work that is at once adventure, satire, and a powerful enchantment that anticipates surrealism and magical realism. Thronged with memorable characters and composed with the fluid but inevitable logic of a dream, Pinocchio is an endlessly fascinating work that is essential equipment for life.
About the Author
Geoffrey Brock is the prizewinning translator of works by Cesare Pavese, Umberto Eco, Roberto Calasso, and others. He teaches creative writing and translation at the University of Arkansas. His Web site is www.geoffreybrock.com.
Umberto Eco is a professor of semiotics at the University of Bologna and the author of numerous novels and collections of essays, including The Name of the Rose, Foucault’s Pendulum, and most recently, Turning Back the Clock: Hot Wars and Media Populism.
Rebecca West is a professor of Italian and of cinema and media Studies at the University of Chicago. She is the author of Eugenio Montale: Poet on the Edge and Gianni Celati: The Craft of Everyday Storytelling, and is co-editor of The Cambridge Companion to Modern Italian Culture
Praise For Pinocchio…
"Carlo Collodi's Pinocchio...is short on Disneyesque sentimentality (there is a talking cricket, but Pinocchio squashes him), long on satire and farce. Geoffrey Brock's superbly crafted translation and Umberto Eco's introduction bring to life this tale of gumption and greed." --O Magazine
"Geoffrey Brock's new English translation of the subversive parable revives Carlo Collodi's sardonic wit and pitch-black humor, while bringing to life the poverty, moral vacuity, and uncensored violence of late-19th-century Europe...Brock — known for his award-winning translations of authors such as Umberto Eco and Cesare Pavese — strips away the sentimental veneer to reveal the original haunting fairy tale. Readers will be familiar with many of the characters, as well as the story's major plot points, but this version thankfully bears little resemblance to most modern interpretations. Pinocchio may have cast off his own strings, but Brock beautifully restores the historical knot." --BoldType