A Novel by the Author of The Heart's Invisible Furies
Other Editions of This Title:
Digital Audiobook (8/19/2012)
Compact Disc (8/20/2012)
MP3 CD (8/20/2012)
Compact Disc (8/20/2012)
A masterfully told tale of passion, jealousy, heroism, and betrayal set in the gruesome trenches of World War I.
It is September 1919: twenty-one-year-old Tristan Sadler takes a train from London to Norwich to deliver a package of letters to the sister of Will Bancroft, the man he fought alongside during the Great War.
But the letters are not the real reason for Tristan’s visit. He can no longer keep a secret and has finally found the courage to unburden himself of it. As Tristan recounts the horrific details of what to him became a senseless war, he also speaks of his friendship with Will—from their first meeting on the training grounds at Aldershot to their farewell in the trenches of northern France. The intensity of their bond brought Tristan happiness and self-discovery as well as confusion and unbearable pain.
The Absolutist is a masterful tale of passion, jealousy, heroism, and betrayal set in one of the most gruesome trenches of France during World War I. This novel will keep readers on the edge of their seats until its most extraordinary and unexpected conclusion, and will stay with them long after they’ve turned the last page.
Praise For The Absolutist: A Novel by the Author of The Heart's Invisible Furies…
“A novel of immeasurable sadness, in a league with Graham Greene’s The End of the Affair…Boyne is very, very good at portraying the destructive power of a painfully kept secret…this is a forbidden love story, a gay love story, but one with a terrible twist.” —John Irving, author of A Prayer for Owen Meany
“John Boyne brings a completely fresh eye to the most important stories…He is one of the great craftsmen in contemporary literature.” —Colum McCann, author of Let the Great World Spin
“A wonderful, sad, tender book [that] is going to have an enormous impact on everyone who reads it.” —Colm Tóibín, author of Brooklyn
“A gripping, superbly plotted novel, filled with surprises that are by turns confounding, disturbing and tremendously moving. For all its spellbinding narrative momentum, The Absolutist is, in the end, a sober meditation on the heartbreak that ensues when people and principles collide.” —Paul Russell, author of The Unreal Life of Sergey Nabokov
“Extraordinary…The narrative is by turns surprising and tragic in equal measure while its troubling conclusion will stay with readers long after they’ve closed the book.” —Carlo Gébler, author of The Dead Eight
“Powerful, poignant, and beautifully written. This will become a classic war novel.” —The Bookseller
“A fable about forbidden love in the first world war…effortlessly readable.” —The Guardian
“Political, personal, powerful…a fiercely interrogative novel that asks not just what it means to be a man but also what it means to be a human being in the extreme circumstances of war.” —Irish Times
“A relentlessly tragic yet beautifully crafted novel.” —Publishers Weekly
“A thought-provoking and surprising page-turner that for some readers may recall Ian McEwan’s Atonement.” —Library Journal
“Poetic, passionate, and poignant, The Absolutist is about self-discovery, friendship, and how far bravery can take us.” —Interview Magazine
“What is most memorable here is the timelessly doomed relationship between Tristan and Will, marked by tenderness and confusion and cruelty in the face of their own internalized repression…This is a wonderfully crafted tragedy that will stay with the reader.” —The Daily Beast (Hot Read)
“What begins as a slow-building World War I period piece…grows deeper, more curious, and uneasy as it progresses—and midway through this sad and beautiful story, you realize you’re in the hands of a quiet master…a taut and tragic tale of love and war, with a kick-in-the-gut ending.” —Amazon (Best Books of the Month)
“A powerful story about love, hate, courage, guilt, and war where nothing is simple and everything might not be as it seems.” —Shelf Awareness
“This is a different kind of journey into the darkness of war, told by a gifted, powerful novelist, and the result is a book with an often staggering emotional punch.” —Book Page
“An outstanding, thought-provoking look at the passionate choices we make, and how we react to life-changing situations. Much recommended for all readers, five full stars out of five.” —Yahoo (Editor’s pick of the month)
“A slim, tightly wound novel of love and disaster.” —The Millions
“An unforgettable story that transcends genres.” —Huntington News
“A riveting look into what drives the relationships we have in spite of the world around us.” —Seattle Gay News
“This is great modern literature with fantastic artistic appeal and superb writing, a story of duty, honor, love, high passion, and integrity.” —Book Reporter
“Writing of this sensitivity and simply verbal beauty is rare. Boyne is rapidly becoming one of the great writers of the century.” —Literary Aficionado
“An outstanding read, very highly recommended.” —Historical Novel Society
“[In] Boyne’s fiction, there’s a sense that people are fundamentally the sum of their traumas…Boyne’s narrative grip is strong.” —Literary Review
“For me, the world totally ceased to exist while I was reading The Absolutist…If you plan on reading just one book this winter, this should be it.” —Washington Blade
“The Absolutist needs to be read, for society always needs to be reminded that war and civilization are mutually exclusive, and that if we still have war, then we’re not yet civilized.” —The Coffin Factory
Other Press, 9781590515525, 320pp.
Publication Date: July 10, 2012
About the Author
Conversation Starters from ReadingGroupChoices.com
When Tristan first enters the Cantwell Inn, Mrs. Cantwell’s son, David, presents the question of morality and describes the incident that happens in room four as “a personal indiscretion”. Which characters does Boyne present as judges of morality in The Absolutist? How does Tristan’s complete avoidance of their judgments define his character both negatively and positively?
In solitary confinement, Will makes it clear to Tristan what he dislikes about him and what makes them different. Tristan’s silent compliance with the injustice of the military system and his insistence that their intimate moments hold some greater meaning come to repulse Will. Yet when Will removes his blindfold, his reaction suggests a kind of heartbreak. How do you read Will’s reaction? Do you find any similarities between the two men?
In the novel’s carefully crafted structure, relationships and events build upon one another to culminate in an emotionally complex ending. What implications can we draw from Tristan’s description of his father as a butcher with “the boning knives, the animal carcasses, the bone saws and rib pullers, the bloodstained overalls” (p. 35)? What parallels are being made and how do they help us understand Tristan’s relationship with his father and with violence? Can you think of other symbolic comparisons?
Tristan’s internal conflicts with his family, with Marian, and with Will build in suspense. By not directly identifying Tristan’s sexual orientation until later in the novel, Boyne allows room for a larger question of identity to develop. Consider Marian’s position within her family and her community, David’s ignorant desire to join the military, and Sergeant Clayton’s development into a war fiend. How do these individual situations broaden Boyne’s theme of troubled self-identity? Which other characters, struggle with their identity, and in what ways?
Tristan shows a particularly insightful ability to read a person’s expressions (i.e., “‘I do apologize, Mr. Sadler,’ [David] said, turning to me now with a complicit smile, as if to imply that he and I were of a type who understood that nothing would go right in the world if we did not take it out of the hands of women and look after it ourselves” [p. 7]). Does Tristan’s heightened intuition and sensitivity to other characters redeem his tendency to avoid conflict? What other redeeming characteristics does Tristan possess?
Tristan confides to Marian that he never took another lover after Will. This choice does not seem to be solely out of respect for the love he had for Will. Why else might Tristan insist on spending his remaining days alone?
In old age, Tristan reveals his plan to commit suicide and leave behind the story he has just told, accepting that this will ruin his reputation and cause him to be considered the greatest feather man of them all. How do you interpret Boyne’s final treatment of Tristan’s cowardice and self-image?
Tristan joins the firing squad on an angry impulse. Later he admits to Marian that he helped murder Will because he couldn’t have him. Considering Will’s reasons for being disappointed in Tristan, what is the irony of Tristan’s action? What is implied when Tristan’s own death approaches?