A Thousand Splendid Suns
Other Editions of This Title:
Digital Audiobook (5/21/2007)
Digital Audiobook (5/21/2007)
Paperback, Marathi (3/1/2015)
Library Binding, Large Print (7/1/2007)
Paperback, Chinese (9/1/2007)
Compact Disc (5/22/2007)
Spring/Summer '09 Reading Group List
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“Just as good, if not better, than Khaled Hosseini’s best-selling first book, The Kite Runner.”—Newsweek
Khaled Hosseini returns with a beautiful, riveting, and haunting novel that confirms his place as one of the most important literary writers today.
Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss and by fate. As they endure the ever escalating dangers around them-in their home as well as in the streets of Kabul-they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, Hosseini shows how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival.
A stunning accomplishment, A Thousand Splendid Suns is a haunting, heartbreaking, compelling story of an unforgiving time, an unlikely friendship, and an indestructible love.
Praise For A Thousand Splendid Suns…
“Spectacular. . . . Hosseini’s writing makes our hearts ache, our stomachs clench and our emotions reel. . . . Hosseini mixes the experiences of these women with imagined scenarios to create a fascinating microcosm of Afghan family life. He shows us the interior lives of the anonymous women living beneath identity-diminishing burqas... Hosseini writes in gorgeous and stirring language of the natural beauty and colorful cultural heritage of his native Afghanistan. . . . Hosseini tells this saddest of stories in achingly beautiful prose through stunningly heroic characters whose spirits somehow grasp the dimmest rays of hope.”—USA Today
“Just as good, if not better, than Hosseini’s best-selling first book, The Kite Runner”—Newsweek
“Compelling”—New York Magazine
“Hosseini revisits Afghanistan for a compelling story that gives voice to the agonies and hopes of another group of innocents caught up in a war. . . . Mesmerizing . . . A Thousand Splendid Suns is the painful, and at times violent, yet ultimately hopeful story of two women’s inner lives. Hosseini’s bewitching narrative captures the intimate details of life in a world where it’s a struggle to survive, skillfully inserting this human story into the larger backdrop of recent history.”—San Francisco Chronicle
“Hosseini . . . has followed his debut novel with another work of strong storytelling and engaging characters. . . . The story pulses with life. . . . Khaled Hosseini is simply a marvelously moving storyteller.”—San Jose Mercury News
“Hosseini’s story . . . rings true as a universal story about victims of cruelty and those who lack the most fundamental of human rights. . . . Hosseini’s work is uplifting, enlightening, universal. The author’s love for his characters and for his country is palpable. In the end, A Thousand Splendid Suns is a love letter to a country and to a people. It is a celebration of endurance and survival in the face of unspeakable tragedy. This is a love song to anyone who has ever had a broken heart and to anyone who has ever felt powerless and yet still dares to dream. And yes, Hosseini has done it again.”—Fort Worth Star-Telegram
“The novel is beautifully written with descriptive details that will haunt you long after you finish reading it.”—Dallas Morning News
“This [novel] tells the startling story of domestic adversaries who discover that survival in a horrific world is nearly impossible without compassion, love and solidarity. . . Hosseini’s prose . . . can stun a reader with its powerful, haunting images.”—Atlanta Journal-Constitution
“Absolutely compelling on every level. It’s nearly impossible for a novel—a work of fantasy and fabrication—to deliver a formidable blow, a pounding of the senses, a reeling so staggering that we are convinced the characters and their dilemmas are genuine. Such a persuasion is particularly difficult when the setting is Afghanistan, a country and culture many see as too strange for recognition, for empathy. But that’s what Khaled Hosseini does again and again with A Thousand Splendid Suns.”—Chicago Sun-Times
“Hosseini has the storytelling gift . . . [A Thousand Splendid Suns] offers us the sweep of historic upheavals narrated with the intimacy of family and village life. . . . What keeps this novel vivid and compelling are Hosseini’s eye for the textures of daily life and his ability to portray a full range of human emotions, from the smoldering rage of an abused wife to the early flutters of maternal love when a woman discovers she is carrying a baby. . . . Hosseini’s illuminating book [is] a worthy sequel to The Kite Runner.”—Los Angeles Times
“Many of us learned much from The Kite Runner. There is much more to be learned from A Thousand Splendid Suns . . . a brave, honorable, big-hearted book”—The Washington Post Book World
“The author’s fans won’t be disappointed with A Thousand Splendid Suns—if anything, this book shows at even better advantage Hosseini’s storytelling gifts.”—New York Daily News
“Hosseini has created two enormously winning female characters in Mariam and Laila, Afghan women born into very different circumstances but who have the same problems.”—Minneapolis Star-Tribune
“[Hosseini] is a writer of unique sensitivities. . . . Hosseini embraces an old-fashioned storytelling unconcerned with literary hipness, unafraid of sentimentality, unworried about the sort of Dickensian coincidences that most contemporary American writers consider off-limits. . . . We are lucky . . . to have a writer of Hosseini’s storytelling ambitions interpreting his culture and history for us with another large-hearted novel. . . . Despite the unjust cruelties of our world, the heroines of A Thousand Splendid Suns do endure, both on the page and in our imagination.”—Miami Herald
Riverhead Books, 9781594483851, 432pp.
Publication Date: November 25, 2008
About the Author
Conversation Starters from ReadingGroupChoices.com
1. The phrase “a thousand splendid suns,” from the poem by Saib-e-Tabrizi, is quoted twice in the novel – once as Laila’s family prepares to leave Kabul, and again when she decides to return there from Pakistan. It is also echoed in one of the final lines: “Miriam is in Laila’s own heart, where she shines with the bursting radiance of a thousand suns.” Discuss the thematic significance of this phrase.
2. Mariam’s mother tells her: “Women like us. We endure. It’s all we have.” Discuss how this sentiment informs Mariam’s life and how it relates to the larger themes of the novel.
3. By the time Laila is rescued from the rubble of her home by Rasheed and Mariam, Mariam’s marriage has become a miserable existence of neglect and abuse. Yet when she realizes that Rasheed intends to marry Laila, she reacts with outrage. Given that Laila’s presence actually tempers Rasheed’s abuse, why is Mariam so hostile toward her?
4. Laila’s friendship with Mariam begins when she defends Mariam from a beating by Rasheed. Why does Laila take this action, despite the contempt Mariam has consistently shown her?
5. Growing up, Laila feels that her mother’s love is reserved for her two brothers. “People,” she decides, “shouldn’t be allowed to have new children if they’d already given away all their love to their old ones.” How does this sentiment inform Laila’s reaction to becoming pregnant with Rasheed’s child? What lessons from her childhood does Laila apply in raising her own children?
6. At several points in the story, Mariam and Laila pass themselves off as mother and daughter. What is the symbolic importance of this subterfuge? In what ways is Mariam’s and Laila’s relationship with each other informed by their relationships with their own mothers?
7. One of the Taliban judges at Mariam’s trial tells her, “God has made us different, you women and us men. Our brains are different. You are not able to think like we can. Western doctors and their science have proven this.” What is the irony in this statement? How is irony employed throughout the novel?
8. Laila’s father tells her, “You’re a very, very bright girl. Truly you are. You can be anything that you want.” Discuss Laila’s relationship with her father. What aspects of his character does she inherit? In what ways is she different?
9. Mariam refuses to see visitors while she is imprisoned, and she calls no witnesses at her trial. Why does she make these decisions?
10. The driver who takes Babi, Laila, and Tariq to the giant stone Buddhas above the Bamiyan Valley describes the crumbling fortress of Shahr-e-Zohak as “the story of our country, one invader after another… we’re like those walls up there. Battered, and nothing pretty to look at, but still standing.” Discuss the metaphorical import of this passage as it relates to Miriam and Laila. In what ways does their story reflect the larger story of Afghanistan’s troubled history?
11. Among other things, the Taliban forbid “writing books, watching films, and painting pictures.” Yet despite this edict, the film Titanic becomes a sensation on the black market. Why would people risk the Taliban’s violent reprisals for a taste of popcorn entertainment? What do the Taliban’s restrictions on such material say about the power of artistic expression and the threat it poses to repressive political regimes?
12. While the first three parts of the novel are written in the past tense, the final part is written in present tense. What do you think was the author’s intent in making this shift? How does it change the effect of this final section?