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Falling Sideways

A Novel (Copenhagen Quartet)

Thomas E. Kennedy


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Other Editions of This Title:
Paperback (11/1/2012)
Paperback (6/4/2013)
Hardcover (11/1/2011)


There seems to be no shortage of business at the Tank, a high-profile firm in Copenhagen. There are meetings to attend, memos to write, colleagues to undermine. But when the Tank's nefarious CEO announces a round of downsizing, everyone becomes exponentially more concerned about ... whatever it is they're doing. Not since Joshua Ferris's Then We Came to the End has there been such a savvy satire of contemporary work culture, and the distorting effects it can have on our lives.

Following these imperiled company men and women out into the autumn days and nights of Copenhagen, Thomas E. Kennedy traces the ripple effects of the news at the Tank as it impacts spouses, children, and lovers. Top executive Frederick Breathwaite is frantically trying to ensure a stable future for his son, while the boy's greatest fear is that his future might resemble his father's absurd present. Harald Jaeger is estranged from his wife and daughters but pursuing desperate passions for other women (including the Tank's married CFO). And while he's lost in amorous fantasies, he has managed to catch the CEO's eye-as a possible replacement for Breathwaite.

Sharp, funny, but remarkably tender, Falling Sideways is the second book in Kennedy's virtuoso Copenhagen Quartet, and a book that will continue to build his reputation as one of America's most versatile literary novelists.

Praise For Falling Sideways: A Novel (Copenhagen Quartet)

Falling Sideways is that rarest of commodities in American literary fiction, a novel about men and women at work; it is part satire and part drama, and it is very smart.” —Jonathan Yardley, Washington Post

“This second book in [Kennedy's] Copenhagen Quartet is probably... his most accessible... A clever spoof about work and the relationships formed there.” —Kirkus Reviews

“Balanced and true observations... [Kennedy] has an ear and eye for modern life” —Minneapolis Star-Tribune

“Thomas Kennedy's beautifully written novel... asks the question of what exactly happens when comfort is replaced by confrontation, security by the scrambling for survival.” —Post and Courier (Charleston, SC)

“Thomas E. Kennedy is an astonishment.” —Junot Díaz, author of The Brief Wondrous Life of Oscar Wao

“No one writes about the loves and lives of men better than Kennedy.” —Kansas City Star

Bloomsbury USA, 9781608190812, 304pp.

Publication Date: March 8, 2011

About the Author

Thomas E. Kennedy's books include novels, story and essay collections, literary criticism, translation, and anthologies. His essays won a National Magazine Award in 2008, and his fiction has been awarded several other prizes. He teaches at the Fairleigh Dickinson University MFA program. Born and raised in New York, Kennedy currently lives in Copenhagen with his two children. His Web site is

Conversation Starters from

Falling Sideways opens with descriptions of characters’ homes: Breathwaite’s apartment, Jaeger’s bachelor pad, Birgitte’s bungalow, and Martin’s mansion. What do we learn about these characters from their domestic spaces?

Why does Jaeger call the Tank’s weekly executive meeting “the Mumble Club?” Why does he dread this meeting? How do Jaeger’s thoughts and behaviors during the meeting reveal his job insecurities?

After he is fired from the Tank, Breathwaite formulates the philosophy by which he has lived and worked as, “If you work hard, you will prosper; no need to try to bring the other man down” (42). What strategies do Breathwaite, Jaeger, and Kampman use to accomplish their goals? Would either Jaeger or Kampman agree with Breathwaite’s philosophy of prosperity? Why or why not?

Consider Martin Kampman’s morning routine, from his 4:59 waking time to his 7:03 arrival at the Tank. What does Martin’s lifestyle reveal about his character? Why does Karen, Martin’s wife, say to him at the end of the novel, “Who are you?” (271). Does the reader know Kampman any better than Karen does? Explain.

Consider the setting of Falling Sideways. How does Copenhagen look, sound, and feel to each of these characters? Who feels constricted by the city, and who seems inspired by it? How does life in Denmark, “this little kingdom of islands,” seem to compare to life in the United States (29)? How does the “Danish dream” compare to the “American dream” (112)?

Discuss the role of women in the novel. How are female characters like Birgitte, Jytte, and Karen portrayed? Do women fare any better than the struggling fathers and sons of the novel? Explain.

While crossing Queen Louise’s Bridge, Breathwaite has a vision of three couples who seem to perform an orchestrated dance. Why does this vision disturb Breathwaite? What might these couples symbolize for him?

Describe the relationship between Jes and Adam, sons of the Tank who strike up a friendship. What do these young men have in common? What differences and rivalries complicate their new friendship?

On two occasions, Adam decides to start his life over. At the bank he thinks, “Now that he had started his future, it seemed appropriate to make a withdrawal” (166). And at the end of the novel he realizes, “Life now was like a blank picture, an empty box, and what he had to do now was slowly, carefully, to fill that emptiness” (276). Compare these two scenes of Adam’s renewal. What has Adam learned over the course of these few days, and how will he make a new start?

The conflict between fathers and children is a main theme of Falling Sideways. Describe the relationships that Breathwaite, Jaeger, Kampman, and Jâlal have with their children and with their own parents. Which of these fathers is able to connect with their sons and daughters, and which fail?

Jaeger attempts to recite William Butler Yeats’s poem “A Drinking Song” to the Tank’s Irish clients (256). Yeats’s poem reads, “Wine comes in at the mouth / And love comes in at the eye; / That’s all we shall know for truth / Before we grow old and die. / I lift the glass to my mouth, / I look at you, and I sigh.” How does Jaeger get the poem wrong, and how do his mistakes change the meaning of his speech?

Discuss the character of Jâlal al-Din, Jes Breathwaite’s boss at the Dome of the Rock Key & Heel Bar. How does Jâlal’s family life reflect his struggles as an immigrant in Denmark? How does Jâlal’s “other ‘son,’ young Jes,” betray Jâlal in the end, and how does Jâlal react (282)?

Discuss the structure of Falling Sideways. What is the effect of its division of chapters, with each section covering a single day? Which day feels the longest, and which the shortest? Why do you think the novel skips Sunday?

The novel closes with an intimate moment between Breathwaite and his wife, Kis. How has the Breathwaites’ marriage improved over the course of these few days? Which other couples also end happily, and which relationships seem in jeopardy at the end of Falling Sideways?

Several characters narrate Falling Sideways. Which narrators do you sympathize with most and least? Which character’s innermost thoughts are the funniest, and which are the saddest?