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A Novel

Summer Wood


List Price: 20.00*
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Other Editions of This Title:
Hardcover, Large Print (7/1/2011)
Paperback (8/1/2011)


After foster-parenting four young siblings a decade ago, Summer Wood tried to imagine a place where kids who are left alone or taken from their families would find the love and the family they deserve. For her, fiction was the tool to realize that world, and Wrecker, the central character in her second novel, is the abandoned child for whom life turns around in most unexpected ways. It's June of 1965 when Wrecker enters the world. The war is raging in Vietnam, San Francisco is tripping toward flower power, and Lisa Fay, Wrecker's birth mother, is knocked nearly sideways by life as a single parent in a city she can barely manage to navigate on her own. Three years later, she's in prison, and Wrecker is left to bounce around in the system before he's shipped off to live with distant relatives in the wilds of Humboldt County, California. When he arrives he's scared and angry, exploding at the least thing, and quick to flee. Wrecker is the story of this boy and the motley group of isolated eccentrics who come together to raise him and become a family along the way.
For readers taken with the special boy at the center of The Story of Edgar Sawtelle, Wrecker will be a welcome companion.

Praise For Wrecker: A Novel

“Opening Wrecker is akin to unwrapping a gift wrapped with great care. You don't know what is inside, but you know it's something special. Summer Wood, in her second novel, delivers a rare treat in this story of a boy and his mothers. It unfolds along a deliciously unpredictable path, one that can and should be savored.” —Denver Post

“[An] affecting novel... Wood succeeds with surefooted prose; a lush, earthy California backdrop; and a sensitive story of nurturing and family.” —Publishers Weekly

“A sweet adoptive-home story with extra heart and lovingly flawed characters, this second novel by Wood will find its home with fans of Jo-Ann Mapson and Pam Houston.” —Library Journal

“Wood moves her characters gracefully through trying times, both cultural and personal.” —Kirkus Reviews

“A page-turner…a literary exploration of how love breaks us and heals us...told in highly crafted prose that wastes not a word and is infused with sensitive insight. Wrecker is an unforgettable novel. ” —New Mexico Magazine

“Summer Wood's remarkable novel carves its way, sentence by gorgeous sentence, into the great complexity of love and family and community. Her dialogue is so natural and full we feel as though we are illicitly eavesdropping on these complex, flawed, and full-hearted characters. Wrecker is a tender, stunning novel.” —Meredith Hall, author of Without a Map

Wrecker is a wonderful portrait of a California long lost, but still alive here. Wrecker will wreck your heart and then put it back together again, with the big heart of a chosen family.” —Susan Straight, author of Highwire Moon and Take One Candle Light a Room

“This novel is a love song to well intentioned, wholly dedicated, and deeply flawed motherhood. Summer Wood creates more than just a great story, deftly, elegantly, and intricately told. She broadens both our notion of family, and our appreciation for whatever we call our own. Wrecker is a big-hearted, big-loving compassionate book.” —Pam Houston, author of Cowboys Are My Weakness

“Well, I've been Wreckered. Drawn in, delighted and devastated by one small boy and the people who love him. Summer Wood has a keen eye for place, and for the ordinary moments in life that become extraordinary in memory. Here, she aims that astute eye on a ragtag group living on the outskirts of society, each member pulled into the same orbit by the centrifugal force that is Wrecker. This book is a fierce and unapologetic celebration of life, a lesson in nurturing, and a reminder of the work it takes to get the real loving done.” —Barb Johnson, author of More of This World or Maybe Another

Bloomsbury USA, 9781608192809, 304pp.

Publication Date: February 20, 2011

About the Author

Summer Wood is the author of Arroyo. In 2007 she was awarded the Literary Gift of Freedom from A Room of Her Own Foundation for her work on Wrecker. She teaches writing for the University of New Mexico's Taos Summer Writer's Conference and in 2009 directed the first annual NEA/Taos Big Read. She is currently the director of the Young Writers' Mentorship Program and has lived in Taos for the past 20 years.

Conversation Starters from

Compare the three settings of Wrecker: hippie San Francisco, the women’s prison at Chino, and the secluded Mattole Valley. How does each of these settings look and feel in the novel? What does Lisa Fay miss most about San Francisco? Why does the Mattole Valley feel like home to Melody?

Discuss the circumstances of Meg’s illness. What was Meg like before she got sick? What toll does Meg’s condition take upon her marriage, and how does Len express his devotion and his doubts?

What are Len’s first impressions of three-year-old Wrecker? What reservations does Len have about taking Wrecker in? Are his worst fears justified? Why or why not?

Each resident of Bow Farm—Melody, Willow, Ruth, Johnny Appleseed, and Wrecker—has survived a difficult past. How do we learn about their histories? What are they running away from, and how do they reconcile a painful past with a hopeful present?

Young Wrecker’s early days at Bow Farm are full of “love in overalls, love with a spade in its hand.” (28) Why is taking care of Wrecker such hard work? What does each of his caretakers contribute, and how do they make this unusual family work?

Compare Melody and Willow, the two founders of Bow Farm. How do their personalities, homes, and parenting styles differ? What are the sources of tension between these two friends, and how do they eventually resolve their differences?

Lisa Fay puts off naming her son until he says to her, “I a wrecker.” (63) What is the meaning of this unusual name? What are some of Wrecker’s destructive tendencies, and how does he fight the urge to “wreck” the things and people around him?

Love doesn’t come easily in this novel: Arlyn leaves Lisa Fay, Melody and DF Al don’t stay together, Len misses the old Meg, and Ruth mourns the death of Elizabeth. What does this theme of difficult romance add to the novel? How do these stories of lost love compare to Len and Willow’s romance?

Trace the journey of the photo that Belle snapped on Wrecker’s third birthday. How does the photo get passed along, and what does it mean to each person who has it? How does it eventually land in Wrecker’s hands?

Consider Lisa Fay’s fifteen years in prison. How does she cope with her circumstances, and what memories and emotions threaten her sanity during these long years?

When Melody tells Wrecker about his mother, she finally understands that “her omission could be as gravely harmful as an outright lie.” (239) Why does Melody keep Wrecker’s history from him for so long? What are the consequences of her silence? Was her “omission” a mistake? Why or why not?

While Wrecker is at his first school dance, Len and Willow finally admit their feelings for each other. Discuss how these two scenes fit together: Wrecker meeting girls and Len and Willow getting closer in a bar. What discoveries do these characters make during this trip to town?

Why does Willow share her own story as a mother in her good-bye letter to Wrecker? Discuss how Willow’s family history leads her to give Wrecker the following advice: “Listen to me. Don’t choose. Melody is your mother. Lisa Fay is your mother, too.” (259). How does Wrecker respond to Willow’s advice?

Wrecker spans twenty years, from the boy’s birth to his young adulthood. When does time seem to pass slowly in the novel? When does it pass quickly? Which important events mark these years of Wrecker’s life? How does Bow Farm and the Mattole Valley change over these two decades?

Discuss the last scene of the novel, when Wrecker, Ruth, Len, Willow, Melody, and Lisa Fay sit down to dinner together at Bow Farm. How does this dinner make them into a family? Why do you think it is told from Ruth’s perspective? How would this scene be different from the point of view of another character?