The Walls Around Us
A Boston Globe Best Book of 2015
A Chicago Public Library Best Teen Fiction of 2015
A BookRiot Best Book of 2015
A 2016 YALSA Best Book for Young Adults
A Horn Book Fanfare Best Books of 2015
A School Library Journal Best Book of 2015
A 2015 Edgar Award Nominee for Best Young Adult
“Ori’s dead because of what happened out behind the theater, in the tunnel made out of trees. She’s dead because she got sent to that place upstate, locked up with those monsters. And she got sent there because of me.”
On the outside, there’s Violet, an eighteen-year-old dancer days away from the life of her dreams when something threatens to expose the shocking truth of her achievement.
On the inside, within the walls of the Aurora Hills juvenile detention center, there’s Amber, locked up for so long she can’t imagine freedom.
Tying their two worlds together is Orianna, who holds the key to unlocking all the girls’ darkest mysteries . . .
What really happened on the night Orianna stepped between Violet and her tormentors? What really happened on two strange nights at Aurora Hills? Will Amber and Violet and Orianna ever get the justice they deserve—in this life or in another one?
In prose that sings from line to line, Nova Ren Suma tells a supernatural tale of guilt and of innocence, and of what happens when one is mistaken for the other.
“A suspenseful tour de force, a ghost story of the best sort, the kind that creeps into your soul and haunts you.” —Libba Bray, author of The Diviners and A Great and Terrible Beauty
Praise For The Walls Around Us…
"With evocative language, a shifting timeline and more than one unreliable narrator, Suma subtly explores the balance of power between the talented and the mediocre, the rich and the poor, the brave and the cowardly… To reveal more would be to uncover the bloody heart that beats beneath the floorboards of this urban-legend-tinged tale." —The New York Times
"The Walls Around Us passionately testifies to the ways in which girls are walled up, held down, fenced in. It's a gorgeously written, spellbinding ghost story. . . Nova Ren Suma's prose hums with such power and fury that when the explosions do happen, they seem unavoidable." —Chicago Tribune
"Unputdownable . . . the well-paced plot reveals guilt, innocence, and dark truths that will not stay hidden." —The Boston Globe
"Mixing mystery and supernatural elements, this book is ridden with lyrical prose and will keep you guessing the truth right up until the very end." —Bustle.com
"Intense and haunting . . . This story is told in line after line of beautifully crafted prose that sear themselves into the reader's mind. Revelations seep out in an almost abstract way that sneaks up on you, then suddenly the truth is out and knocking you sideways. A stunning, unforgettable, and ghostly tale from start to finish." —San Francisco Book Review
"Suma excels in creating surreal, unsettling stories with vivid language, and this psychological thriller is no exception. Along the way, Suma also makes a powerful statement about the ease with which guilt can be assumed and innocence awarded, not only in the criminal justice system, but in our hearts—in the stories we tell ourselves. A fabulous, frightening read." —Booklist, starred review
"The wholly realistic view of adolescents meeting the criminal justice system is touched at first with the slimmest twist of an otherworldly creepiness, escalating finally to the truly hair-raising and macabre. Eerie, painful and beautifully spine-chilling." —Kirkus Reviews, starred review
"This haunting and evocative tale of magical realism immerses readers in two settings that seem worlds apart . . . Suma’s unflinchingly honest depiction of the potentially destructive force of female friendship and skillful blending of gritty realism with supernatural elements is reminiscent of Laurie Halse Anderson’s Wintergirls, and the eerie mood she evokes is unnervingly potent." —School Library Journal, starred review
"In lyrical, authoritative prose, Suma weaves the disparate lives of [the] three girls into a single, spellbinding narrative that explores guilt, privilege, and complicity with fearless acuity. . . The twisting, ghostly tale of Ori’s life, death, and redemption is unsettling and entirely engrossing." —The Horn Book Magazine, starred review
"Gratifyingly disturbing . . . Suma craftily sets the two stories against one another, moving between Violet’s fiercely grounded account and Amber’s hauntingly destabilized one, enticing readers to figure out how the pieces go together." —Bulletin for the Center for Children’s Books, starred review
"Powerful . . . The compelling narrative, written in scintillating prose and featuring incredibly real characters, brings the two stories together in an explosive finale with a supernatural twist that results in a satisfying resolution." —VOYA, starred review
"Gripping. . . Just try to put this down." —Shelf Awareness for Readers, starred review
"A suspenseful tour de force, a ghost story of the best sort, the kind that creeps into your soul and haunts you." —Libba Bray, author of The Diviners and A Great and Terrible Beauty
"Fearlessly imagined and deliciously sinister, The Walls Around Us is hypnotic, luring the reader deeper and deeper into its original, shocking narrative." —Michelle Hodkin, The Mara Dyer Trilogy
"Written in luscious and deliciously creepy prose not easy to forget…This is a story about guilt and innocence, about secrets and how deep we let people into those places within us, and it’s a story about how the past can define our present, even if we try desperately to keep that past under wraps. Put it on your radars now; this is an outstanding literary young adult novel more than worth the wait." —Book Riot
Algonquin Young Readers, 9781616203726, 336pp.
Publication Date: March 24, 2015
About the Author
Conversation Starters from ReadingGroupChoices.com
- Is either Amber or Violet a sympathetic narrator? Why or why not?generic viagra price canada
- On page 8, when describing the night the locks opened and the inmates had the chance to escape, Amber says, “I get hung up on it sometimes, on what if things had gone another way. If I’d made it past the gates and gotten out. If I’d run.” What would have happened had Amber run? Where might she have gone?generic viagra price canada
- Consider the books and authors that are mentioned throughout the novel (e.g., Watership Down, Libba Bray, Breakfast at Tiffany’s) and the quotes chosen as section openers. How do they contribute to the overall tone and atmosphere? What do they add to the plot?generic viagra price canada
- On page 280, Amber says, “I couldn’t know for sure if our newest inmate, Orianna Speerling, regretted going outside after her friend that day.” What do you suspect?generic viagra price canada
- When Orianna receives the only red cup in the dining hall, her reaction is markedly different than that of her fellow inmates. Why does she respond the way she does? Why do you think she influences the other girls’ feelings about the red cup going forward? How does Ori change the mood of the inmates in general?generic viagra price canada
- Three years after Ori’s death, Violet still believes she is the inferior dancer, even though she’s become the star. How do Violet’s insecurity and jealousy shape her character and actions? Why does she remain jealous of Orianna even after Orianna’s death?generic viagra price canada
- Violet’s account of the crime changes as she repeats her telling of it. What do you make of the different accounts she gives us over the course of the novel? Similarly, Amber gradually changes some details in the stories she tells us. How do the various versions of events—and their timing—affect your feelings about Violet and Amber? How do they affect your reading experience?generic viagra price canada
- On page 70, Violet describes how Orianna’s face changed after her conviction. On page 143, when describing her own trial, Amber says, “I weighed less, back then. I hadn’t yet had my growth spurt. My shoulders hadn’t filled out. Still, there was something menacing they saw in me, even at that size.” How does a person’s appearance influence what you assume about his or her character or personality? Do you believe you can ever tell whether or not someone “did it” just by looking at them?generic viagra price canada
- Amber makes frequent references to seeing Orianna on the news before she arrived in jail. She tells the reader that Orianna was nicknamed the “Bloody Ballerina.” Think about real-life murder cases you’ve seen play out in the media. How do things like nicknames affect your perception of an accused person? How does news coverage affect how Orianna is treated in jail?generic viagra price canada
- As you read The Walls Around Us, did you believe Amber was innocent or that she shouldn’t be in jail? Did the guilty receive the right punishments in the end? If your answer is no, discuss what the right punishments would have been.generic viagra price canada
- Why do you think being in charge of the book cart is so important to Amber?generic viagra price canada
- On page 312, when the officers are counting the girls in the dining hall, Amber says, “It seems we are meant to stay at full capacity, which for this facility is forty-two girls.” How does the number forty- two play a role in the novel? Why do you think the author decided it was important to keep the number of inmates at forty-two?generic viagra price canada
- How did you interpret the ending? Do you think all readers will reach the same conclusion? Why or why not?generic viagra price canada