Algonquin Books, 9781616209728, 320pp.
Publication Date: July 28, 2020
Other Editions of This Title:
August 2020 Indie Next List
— Linda Kass, Gramercy Books, Bexley, OH
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—Jessica Shattuck, author of The Women in the Castle
A mesmerizing novel about the burden of secrets carried across generations.
Lil and Frank married young, launched into courtship when they bonded over how they both—suddenly, tragically— lost a parent when they were children. Over time, their marriage grew and strengthened, with each still wishing for so much more understanding of the parents they’d lost prematurely.
Now, after many years in Boston, they’ve retired to North Carolina. There, Lil, determined to leave a history for their children, sifts through letters and notes and diary entries—perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with what might have been left behind at the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is just trying to raise her son with some sense of normalcy. Frank’s repeated visits to Shelley’s house begin to trigger memories of her own family, memories that she’d hoped to keep buried. Because, after all, not all parents are ones you wish to remember.
Hieroglyphics reveals the difficulty of ever really knowing the intentions and dreams and secrets of the people who raised you. In her deeply layered and masterful novel, Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and what it means to be a child piecing together the world around us, a child learning to make sense of the hieroglyphics of history and memory.
About the Author
Jill McCorkle’s first two novels were released simultaneously when she was just out of college, and the New York Times called her “a born novelist.” Since then, she has published six novels and four collections of short stories, and her work has appeared in Best American Short Stories several times, as well as The Norton Anthology of Short Fiction. Five of her books have been New York Times Notable books, and her most recent novel, Life After Life, was a New York Times bestseller. She has received the New England Booksellers Award, the John Dos Passos Prize for Excellence in Literature, and the North Carolina Award for Literature. She has written for the New York Times Book Review, the Washington Post, the Boston Globe, Garden and Gun, the Atlantic, and other publications. She was a Briggs-Copeland Lecturer in Fiction at Harvard, where she also chaired the department of creative writing. She is currently a faculty member of the Bennington College Writing Seminars and is affiliated with the MFA program at North Carolina State University.
Praise For Hieroglyphics…
“Jill McCorkle has long been one of our wryest, warmest, wisest storytellers. In Hieroglyphics, she takes us on through decades, through loss, through redemption, and lands in revelation and grace. As always with McCorkle, the story feels so effortless and true that we might well miss what a high-wire act she’s performing. But make no mistake: She’s up there without a net, she never misses a step, and it’s spectacular.”
—Rebecca Makkai, Pulitzer Prize finalist for The Great Believers
“Engrossing . . . McCorkle finds an elegant mix of wistfulness and appreciation for life . . . Throughout, McCorkle weaves a powerful narrative web, with empathy for her characters and keen insight on their motivations. This is a gem.”
—Publishers Weekly, starred review
"Ingenious . . .Gathers layers like a snowball racing downhill before striking us in the heart with blunt, icy force."
—Kirkus Reviews, starred review
"A powerful evocation of loss and yearning . . . McCorkle testifies to the ageless nobility of human beings who want the next generation to do better. A deeply moving and insightful triumph."
—Booklist, starred review
"Demonstrating her widely recognized skill at creating memorable stories out of the stuff of daily life, McCorkle's empathy for a quartet of unassuming but appealing characters provides the foundation for a novel whose drama is modest, but whose insight is deep. Jill McCorkle is an unfussy writer whose storytelling skill almost gives the impression she's simply eavesdropping on her character's lives. It's that quiet talent that makes Hieroglyphics a novel whose appeal will only enlarge in the reader's mind with the passage of time."
“Hieroglyphics is suffused with a deep and heartening understanding of human resilience and strength. A beautiful and emotionally satisfying novel."
—Brad Watson, author of Miss Jane
“Wise and tender, Hieroglyphics captures life itself: the experiences that shape us and bind us to one another, and the moments of terror and grace we carry in our hearts. Jill McCorkle's new novel is a triumph.”
—Claire Messud, author of The Burning Girl
“Hieroglyphics is a powerful, deeply moving testament to both the ties of family and the taut fragility of memory's plumb-line. Shelley, Harvey, Lil and Frank felt so real that it seemed as if I had known them for many years; this book stayed with me well beyond the last page.”
—Daniel Mason, author of The Winter Soldier
Conversation Starters from ReadingGroupChoices.com
1. The character Lil says that we are all haunted by something. What do you think haunts each of the main characters and how do they each deal with it?
2. The catastrophic events referenced—the train wreck and the Cocoanut Grove fire—really happened. Why do you think McCorkle used actual events? In what ways does that affect how you read the novel?
3. Harvey’s sections, told from a child’s point of view, are markedly different from Lil, Frank, and Shelley’s sections. How does his point of view color our reading of the other sections?
4. There are many references throughout the novel to childhood games and toys and keepsakes. How do they function for each character?
5. Language—what is communicated as well as what remains unspoken—is a central theme in this novel, from Lil’s notes and diary entries to Shelley’s transcriptions to Frank’s study of ancient cultures. How does this relate to the title of the novel?
6. At the end of the novel, Shelley is literally left standing in a threshold. How would you describe that threshold? What do you think lies ahead for her?
7. The present storyline focuses on a day in Frank’s life. How would you chart his journey?
8. The characters all have interests woven into the storyline: Lil has her work as a dance instructor; Frank has his studies of ancient burial rituals; Harvey is obsessed with horror tales (real and imagined), his made-up superhero, and animal droppings; Shelley entertains a wholly imagined narrative (the book she would write) while also doing her job. How do these interests help us understand the characters’ perspectives?
9. Frank, Shelley, and Harvey all have brothers who are key figures in their lives. Discuss what you know about each brother and how these relationships affect the central characters’ lives.
10. Lil spends a lot of time thinking about her marriage to Frank, with particular emphasis on one period of time. How does she resolve her feelings about his affair? How do you feel about her decision?
11. Grief is central in the lives of all four of the main characters. How has it affected the way they live?
12. In the aftermath of both the train wreck and the fire, people were identified by tags or scars or the contents of pockets. Discuss the relevance of these lists.
13. The four central characters’ lives are all significantly influenced by their relationships with their parents. Which character’s situation were you most drawn to? Even after we’ve lost parents, how do they live on for us and inform our lives?
14. Were you surprised by the ending? If so, why? If not, why did you expect it?
15. What kinds of things have you saved over the years, and why these specific things? Do you have any talismans? Would the meaning of these keepsakes be evident to anyone else, and if not, why not?