Funny Once (Hardcover)
Bloomsbury Publishing PLC, 9781620408612, 291pp.
Publication Date: May 20, 2014
Michael Chabon once said, "I scan the tables of contents of magazines, looking for Antonya Nelson's name, hoping that she has decided to bless us again." And now she has blessed us again, with a bounty of the stories for which she is so beloved. Her stories are clear-eyed, hard-edged, beautifully formed. In the title story, "Funny Once," a couple held together by bad behavior fall into a lie with their more responsible friends. In "The Village," a woman visits her father at a nursing home, recalling his equanimity at her teenage misdeeds and gaining a new understanding of his own past indiscretions. In another, when a troubled girl in the neighborhood goes missing, a mother worries increasingly about her teenage son's relationship with a bad-news girlfriend. In the novella "Three Wishes," siblings muddle through in the aftermath of their elder brother's too-early departure from the world.
The landscape of this book is the wide open spaces of Kansas, Texas, New Mexico, and Colorado. Throughout, there is the pervasive desire to drink to forget, to have sex with the wrong people, to hit the road and figure out later where to stop for the night. These characters are aging, regretting actions both taken and not, inhabiting their extended adolescences as best they can. And in Funny Once, their flawed humanity is made beautiful, perfectly observed by one of America's best short story writers.
About the Author
Praise For Funny Once…
"Antonya Nelson wields words with breathtaking precision . . . Turning tiny moments into revelations, she brilliantly exposes the fears and delusions that drive people to rationalize destructive choices . . . [A] wise exploration of the war between our worst impulses and our better selves." —O, the Oprah magazine"One pleasure of reading Antonya Nelson is that she brings the careful language and control of literary fiction to uncontrolled, rough-and-tumble lives. Mixing the admittedly bourgeois undertaking of meticulously crafted prose with working class grit is risky—it can devolve into condescension or cartoonishness—but Nelson, like Raymond Carver, strikes a remarkable balance." —Los Angeles Times
"This deft tale of messy, modern family life crackles with truth and originality . . . Nelson has a gift for sharply etched characters and dazzling lyrical prose." —People, on Bound