Will and Testament (Paperback)
A Novel (Verso Fiction)
Verso Fiction, 9781788733106, 336pp.
Publication Date: September 10, 2019
“The cumulative effect is hypnotic. Hjorth works finely parsed and brilliant variations on her unrelenting theme of familial mistrust and misunderstanding.” –New York Times
“A prickly, persuasive novel. Like Knausgaard, Hjorth is writing against repression, against the taboo on telling things as they really are. But he urges us to look at dead bodies; she forces us to regard bleeding souls.” –New Yorker
Four siblings. Two summer houses. One terrible secret. When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled twenty years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favouritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different—a final attempt to suppress the truth and a cruel insult to the grievously injured.
Will and Testament is a lyrical meditation on trauma and memory, as well as a furious account of a woman’s struggle to survive and be believed. Vigdis Hjorth’s novel became a controversial literary sensation in Norway and has been translated into twenty languages.
About the Author
Vigdis Hjorth is the author of over a dozen prize-winning and bestselling novels. Will and Testament sold 150,000 copies in Norway and has received several awards, including the Norwegian Critics Prize for Literature and the Norwegian Booksellers’ Prize, as well as being nominated for the Nordic Council Literature Prize. She lives in Oslo.
Praise For Will and Testament: A Novel (Verso Fiction)…
“Like Knausgaard, Hjorth is writing against repression, against the taboo on telling things as they really are. But he urges us to look at dead bodies; she forces us to regard bleeding souls. Hjorth seems to have formulated from her experiments with living models a model for living, in which exposure—of the self and of others—serves a larger purpose.”
“The cumulative effect is hypnotic. Hjorth works finely parsed and brilliant variations on her unrelenting theme of familial mistrust and misunderstanding.”
—New York Times
—John Williams, New York Times Book Review
“This is a novel that people could enjoy either as high literature or as a work of down-and-dirty revenge. The tabloids loved it as much as the broadsheets, and it became the bestselling novel of the year.”
—Ben McPherson, Guardian
“In a ruthless yet patiently delivered work, Hjorth does something that few writers achieve: Will and Testament is both economical and overwhelming.”
—Elsa Court, Financial Times
“Will and Testament is a compulsively readable novel, one that turns questions of shame into weapons against silence.”
“Hjorth’s thoughtful, drily funny, and often devastating novel will leave a deep and lasting impression on readers.”
“An extraordinary book.”
"Vigdis Hjorth is one of my favorite contemporary writers."
—Sheila Heti, author of Motherhood and How Should a Person Be?
“Will and Testament is a reminder that it’s easier to hide darkness than face it … Hjorth argues cogently that conflicts and atrocities often stem from what a nation represses or denies.”
—Holly Williams, Observer
“Compelling … Hjorth proves brilliant at revealing the stubborn, unredemptive quality of childhood suffering.”
—Lara Feigel, Guardian
“The strength of the novel lies in Bergljot’s convincing and continuing vulnerability, in her mixed feelings and her flaws … A clear-eyed and convincing story of a family’s doomed attempt to reconcile and the limits of forgiveness.”
“Hjorth parcels out the secrets with a precision worthy of Ibsen, so that the level of suspense is maintained up until the very last pages.”
“Furious and wise, trembling and stringent. Will and Testament examines who owns the past. This is the novel in weaponized form.”
“Its strong emotional truths take hold of you immediately—even before the family secret’s consequences are made apparent: I dogeared page after page to mark off insights, movements, formulations.”
“Even in the depths of family trauma, the scent of the forest, sea and meadow may still drift over the troubled cities and suburbs of Norwegian fiction. That forest may be a real place. It may also, as in Will and Testament, be a longed-for state of mind.”
—Boyd Tonkin, Norwegian Arts