The Best of World SF
26 new short stories representing the state of the art in international science fiction, selected by Lavie Tidhar.
21 counties: France, China, Singapore, Botswana, Nigeria, India, Japan, Italy, Cuba, Brazil, Trinidad, Spain, Mexico, Finland, Israel, Iceland, Russia, Ghana, South Africa, Sweden and Malaysia.
14 women / 12 men.
'Immersion' by Aliette de Bodard
'Debtless' by Chen Qiufan
'Fandom for Robots' by Vina Jie-Min Prasad
'Virtual Snapshots' by Tlotlo Tsamaase
'What The Dead Man Said' by Chinelo Onwualu
'Delhi' by Vandana Singh
'The Wheel of Samsara' by Han Song
'Xingzhou' by Yi-Sheng Ng
'Prayer' by Taiyo Fujii
'The Green Ship' by Francesco Verso
'Eyes of the Crocodile' by Malena Salazar Macia
'Bootblack' by Tade Thompson
'The Emptiness in the Heart of all Things' by Fabio Fernandes
'The Sun From Both Sides' by R.S.A. Garcia
'Dump' by Cristina Jurado
'Rue Chair' by Gerardo Horacio Porcayo
'His Master's Voice' by Hannu Rajaniemi
'Benjamin Schneider's Little Greys' by Nir Yaniv
'The Cryptid' by Emil H. Petersen
'The Bank of Burkina Faso' by Ekaterina Sedia
'An Incomplete Guide...' by Kuzhali Manickavel
'The Old Man with The Third Hand' by Kofi Nyameye
'The Green' by Lauren Beukes
'The Last Voyage of Skidbladnir' by Karin Tidbeck
'Prime Meridian' by Silvia Moreno-Garcia
'If At First You Don't Succeed' by Zen Cho
Head of Zeus, 9781838937645, 624pp.
Publication Date: June 1, 2021
About the Author
Lavie Tidhar is the World Fantasy Award-winning author of Osama (2011), The Violent Century (2013), the Jerwood Fiction Uncovered Prize-winning A Man Lies Dreaming (2014), and the Campbell Award-winning Central Station (2016), in addition to many other works and several other awards. His latest novels are the Locus Award nominated Unholy Land (2018) and debut children's novel Candy (2018). He works across genres, combining detective and thriller modes with poetry, science fiction and historical and autobiographical material. His work has been compared to that of Philip K. Dick by the Guardian and the Financial Times, and to Kurt Vonnegut's by Locus.