A Short History of Cahiers du Cinema (Hardcover)

By Emilie Bickerton

Verso, 9781844672325, 156pp.

Publication Date: November 16, 2009

Other Editions of This Title:
Paperback (10/1/2011)

List Price: 22.95*
* Individual store prices may vary.

Description

Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague.

In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.


About the Author

Emilie Bickerton is a journalist and critic based in Paris. She is also on the editorial board of New Left Review.


Praise For A Short History of Cahiers du Cinema

“Emilie Bickerton has done a valuable and highly informative job.” —Philip French, Observer

“What I love is Bickerton’s certainty and courage. She s stepping here into the viperous pit of French intellectual life like a mongoose with a mission.” —Nick James, Sight & Sound

“The French New Wave directors all came from Cahiers du Cinéma, a magazine that turned film criticism upside down in the 1950s. The salvoes of its sagacity are finely charted by Bickerton, who also laments the recent slide into dumbed-down mediocrity.” —Nigel Andrews, Financial Times, Books of the Year

“It was ‘the last modernist project’, Emilie Bickerton says in this deft account of the real life and virtual death of Cahiers du cinema. The cinema itself lived and died in its pages, and it would be hard to imagine a better brief guide to the magazine’s positions and polemics than this intelligent and sharply focused book.” —Michael Wood

“Tantalisingly concise ... A reminder that contemporary film criticism could do with being more unapologetically clever—more ingenious, more argumentative, more French.” —Jonathan Romney, London Review of Books