Cloud Cuckoo Land
October 2021 Indie Next List
— Julie Slavinsky, Warwick's, La Jolla, CA
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“If you’re looking for a superb novel, look no further.” —The Washington Post
From the Pulitzer Prize–winning author of All the Light We Cannot See, comes the instant New York Times bestseller that is a “wildly inventive, a humane and uplifting book for adults that’s infused with the magic of childhood reading experiences” (The New York Times Book Review).
Among the most celebrated and beloved novels of 2021, Anthony Doerr’s gorgeous third novel is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope—and a book. In Cloud Cuckoo Land, Doerr has created a magnificent tapestry of times and places that reflects our vast interconnectedness—with other species, with each other, with those who lived before us, and with those who will be here after we’re gone.
Thirteen-year-old Anna, an orphan, lives inside the formidable walls of Constantinople in a house of women who make their living embroidering the robes of priests. Restless, insatiably curious, Anna learns to read, and in this ancient city, famous for its libraries, she finds a book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. This she reads to her ailing sister as the walls of the only place she has known are bombarded in the great siege of Constantinople. Outside the walls is Omeir, a village boy, miles from home, conscripted with his beloved oxen into the invading army. His path and Anna’s will cross.
Five hundred years later, in a library in Idaho, octogenarian Zeno, who learned Greek as a prisoner of war, rehearses five children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. She has never set foot on our planet.
Like Marie-Laure and Werner in All the Light We Cannot See, Anna, Omeir, Seymour, Zeno, and Konstance are dreamers and outsiders who find resourcefulness and hope in the midst of gravest danger. Their lives are gloriously intertwined, and Doerr’s dazzling imagination transports us to worlds so dramatic and immersive that we forget, for a time, our own. Dedicated to “the librarians then, now, and in the years to come,” Cloud Cuckoo Land is a beautiful and redemptive novel about stewardship—of the book, of the Earth, of the human heart.
Praise For Cloud Cuckoo Land: A Novel…
*FINALIST FOR THE NATIONAL BOOK AWARD FOR FICTION*
A New York Times Notable Book, Barack Obama favorite, and selected as a Best Book of the Year by Time, Associated Press, Entertainment Weekly, Goodreads Choice Awards, BookPage, Library Journal, Minneapolis Star-Tribune, St. Louis Post-Dispatch, Oprah Daily, Cosmopolitan, NPR.org, Publishers Lunch, Publishers Weekly, Barnes & Noble, Amazon, Tor.com, Polygon, Tattered Cover, Toronto Star, Chicago Public Library, Erie Reader, Fresh Air, Globe & Mail, KUER RadioWest, Parade, Fredericksburg Free Lance-Star, Columbus Dispatch, Broomfield Enterprise, and Distractify!
“Readers will come away from it with a greater appreciation for those invisible qualities that have bound human life across the ages—the love of a good story and the joy of returning home.”
—Samantha Spengler, Wired
“There’s no book like Cloud Cuckoo Land... As with all of Doerr’s books, the characters [in Cloud Cuckoo Land] are beautifully described, the story is mesmerizing, and the carefully-crafted tapestry of themes pulls characters and time periods together into an incandescent whole—tempting the reader to start over as soon as the book is finished.”
—Diana Furchtgott-Roth, Forbes
“Simply put, Cloud Cuckoo Land had me spellbound. Doerr has created a treasure chest of stories.”
—Barbara Lloyd McMichael, OurCoast
“Beautiful and enthralling, a masterpiece . . . . If you love books, you’ll love this book.”
—Rebecca Bennett, Austin American-Statesman
“This novel is fearless and boundless in its ambition. It's like Homer meets Borges aboard Noah's Ark.”
—Arturo Serrano, Nerds of a Feather
“A deft and intricately woven tale [and] one of the most memorable books of the year.”
—Ron Sylvester, Spokane Spokesman-Review
"Not just the best book of the year (or most years), the novel is also a great read. Doerr works literary magic to tell three cleverly entwined stories set centuries apart, celebrating children, and the natural world, and always, especially, libraries. We'll be talking about this one for a long time."
—St. Louis Post-Dispatch
"Realism may be the dominant American literary mode, but leave it to Anthony Doerr to push us out of our comfort zone. His passion for myth and fable lights up this panoramic epic, as an ancient manuscript braids three disparate strands: the 1453 siege of Constantinople, present-day Idaho, and a 22nd-century starship careening away from a poisoned Earth. Doerr's prose casts a spell; his world-building is both defiant and tender, a virtuosic meditation on the alchemy of books. Come for the magician's tricks, stay for the exquisite storytelling."
—Hamilton Cain, Star Tribune
"Cloud Cuckoo Land is a soul-piercing masterpiece that examines what it means to be human with profound empathy."
—Winnipeg Free Press
“It feels wonderful . . . to spend a few days losing oneself in an exquisitely built book.”
—Eve Andrews, Grist
“Another masterful novel from Anthony Doerr.”
—Dean Poling, Valdosta Daily Times
“Divinely inspired storytelling.”
—Melony Carey, Muskogee Phoenix
“Anthony Doerr is not just a master of storytelling. He is, arguably, a magician. . . . There's no need to dream of a beautiful land, up above the clouds, to escape 2021 for a few hours. Anthony Doerr's magic, captured in the pages of this thrilling, lovely, deeply satisfying book, will take you there.”
—Gail Pennington, St. Louis Post-Dispatch
“Of all our contemporary fiction writers, Anthony Doerr is the one whose novels seem to be the purest response to the primal request: tell me a story. . . . [Cloud Cuckoo Land] transports us far above the stars, and down into the mud. It dazzles, and disturbs. And I for one wanted Doerr’s vast and overwhelming story to last much, much longer.”
—Maureen Corrigan, Fresh Air
“In Cloud Cuckoo Land, [Doerr] writes a marvel of a story himself, filled with gorgeous language and distinctive characters. He sweeps readers in and gives us the enveloping experience of living in another world. . . . [A] great novel.” —Maureen Corrigan, Wall Street Journal
“Sprawling and ambitious and imaginative. . . . [Doerr] is a writer with the rare ability to achieve the universal and the specific simultaneously. His stories, both vast and intimate, are dazzling, sometimes dizzying in their scope. . . . [Cloud Cuckoo Land] is unlike anything you’ve ever read.”
—Samantha Schoech, San Francisco Chronicle
“The greatest joy in [Cloud Cuckoo Land] comes from watching the pieces snap into place. It is an epic of the quietest kind, whispering across 600 years in a voice no louder than a librarian's.”
—Jason Sheehan, NPR.org
“A seamless tapestry . . . . Ultimately, Doerr seeks to remind us of the many ways we are tied to the natural world.”
—Bethanne Patrick, Los Angeles Times
“A trip well worth taking with the inimitable Doerr.”
—Rob Merrill, Associated Press
“Packed with lush details and a gripping narrative.”
—Keziah Weir, Vanity Fair
“Cloud Cuckoo Land is bound to leave as indelible a mark on readers as All the Light We Cannot See.”
—Alessia Santoro, PopSugar
“Doerr’s creation lifts off quickly, soars, and then, like the various wildfowl wheeling through the story, lands with practiced finesse. . . . Fueled by deep imagination and insistent compassion, Doerr weaves together his storylines with brisk pacing that never feels rushed.”
—Erin Douglass, Christian Science Monitor
“The novel is a celebration of the way in which books enable us to connect with the past – and a warning about how fragile their survival has always been in a world in which those in power pursue war or harm the environment.”
—The Daily Express
“This engagingly written, big-hearted book is a must-read – immersive popular fiction that breaks boundaries and makes you look at the world a bit differently.”
—The Daily Mirror
“A paean to stories as a source of sustenance and solace, and to the sweetness of our shared terrestrial home, Doerr’s narrative is buoyant with humanity and it’s author’s palpable pleasure in invention.”
—Stephanie Cross, The Daily Mail
“Cloud Cuckoo Land is an impressive achievement and a joy to read. Serious novels are rarely this fun. In a world where nature and stories are more precious than ever, this fine book is an education, a comfort, and inspiration.”
—Melissa Katsoulis, The Times (UK)
“There is a kind of book a seasoned writer produces after a big success: large-hearted, wide in scope and joyous. Following his Pulitzer winner All the Light We Cannot See, Anthony Doerr’s Cloud Cuckoo Land is a deep lungful of fresh air–and a gift of a novel.”
Elizabeth Knox, The Guardian
“[Cloud Cuckoo Land is] a wildly inventive novel that teems with life, straddles an enormous range of experience and learning, and embodies the storytelling gifts that it celebrates. . . . A humane and uplifting book for adults that’s infused with the magic of childhood reading experiences.”
—Marcel Theroux, New York Times Book Review
“In a big fiction year . . . Cloud Cuckoo Land stands out. . . . Doerr’s characters are astoundingly resilient, suggesting that we may yet save ourselves, with literature an essential tool.”
—Hamilton Cain, Boston Globe
“A magical (and hopeful) tale of humanity.”
“Ambitious and complex . . . . [Doerr] weaves it all together beautifully.”
—Angela Haupt, Washington Post
“A tour de force of a novel . . . recalling Jorge Luis Borges, Umberto Eco, and Ursula K. LeGuin. . . . A literary salon to which all manner of storytellers and readers are invited.”
—Jenny McPhee, AirMail Weekly
“For his next act, Anthony Doerr wrote a book about everything.”
—New York Times
“Epic and profound.”
—Claire Martin, People Magazine
“Stunning . . . deeply imagined . . . a novel about how people find hope in the midst of chaos and fear, and how books themselves might be the best things humans have ever done.”
—Samantha Schoech, San Francisco Chronicle
“As intimate as a bedtime story, a love letter to libraries and bibliophiles.”
“Anthony Doerr’s talent for deftly weaving the criss-crossed stories of adults and children will tug at your heartstrings and remind you of the power of resilience and hope.”
—Ashley Leath, Country Living
“A dazzling epic of love, war, and the joy of books.”
“A sweeping epic.”
—K.W. Colyard, Bustle
“[An] ambitious, genre-busting novel.”
—Sarah McCraw Crow, BookPage (starred review)
“A novel of epic stature and ambition.”
—Emerson Malone, Buzzfeed
“[In Cloud Cuckoo Land, Anthony Doerr] takes his talents to the epic.”
—Seija Rankin, Entertainment Weekly
“Worth the seven-year wait. . . . Will leave you in awe.”
—Tierney Bricker, EOnline
“[An] imaginative, time-bending tale.”
—Lesley Kennedy, CNN.com
“If you’re looking for a superb novel, look no further.”
—Bethanne Patrick, Washington Post
“Sweeping and atmospheric.”
“A poignant story told with heart and wit, . . . [with] short, lively chapters [that] move at a lively clip.”
—Kristyn Kusek Lewis, Real Simple
“[A] sweeping literary fiction novel exploring past, present, and future through the lives of young people on the cusp of adulthood. . . . This is a novel unlike any other.”
—Rachel Brittain, BookRiot
“[An] intricately braided story . . . [and] a stunning, mind-bending tale of survival and how closely we’re all connected.”
—Lizz Schumer, Good Housekeeping
“[Cloud Cuckoo Land] is as extreme a departure as they come, but so original you won’t care.”
—Los Angeles Times
"A welcome read that is a celebration of both resilience and hope told from the perspective of children set worlds (and times) apart. An unforgettable epic from a master storyteller at the top of his craft."
“Doerr’s first book since his Pulitzer Prize-winning All the Light We Cannot See and even grander in conception and delivery . . . . [Cloud Cuckoo Land] is a glorious golden mesh of stories that limns the transformative power of literature and our need to both dream big and arrive back home in a world that will eventually flow on without us. Highly recommended.”
—Library Journal, starred review
"Doerr builds a community of readers and nature lovers that transcends the boundaries of time and space ... This is just one of the many narrative miracles worked by the author as he brings a first-century story to its conclusion in 2146. As the pieces of this magical literary puzzle snap together, a flicker of hope is sparked for our benighted world."
—Kirkus, starred review
"Doerr demonstrates a singular gift for bringing these complex, fully realized characters to empathetic life in this brilliantly imagined story, which moves backward and forward in time ... One of the joys of reading Cloud Cuckoo Land is discovering the threads that link the five characters’ lives, which ultimately cohere in ways that are simply unforgettable, as is this amazing gift of a novel."
—Booklist, starred review
“Doerr returns with a deeply affecting epic. . . . [Cloud Cuckoo Land] is a marvel.”
—Publishers Weekly, starred review
Scribner, 9781982168438, 640pp.
Publication Date: September 28, 2021
About the Author
Conversation Starters from ReadingGroupChoices.com
1. Consider Sybil, the omnipresent, teacherly AI system aboard the Argos, to whom we are introduced in the prologue. Sybil’s core objective is to keep the crew safe. As the novel progresses, Sybil’s objective remains the same, but her role in Konstance’s story grows more and more complicated. How does your opinion of Sybil change as the novel progresses? In your opinion, is she a sinister character, a benevolent one, or neither?
2. Early on in the novel, Anna is enchanted by an ancient fresco in an archer’s turret; each time she looks at it, “something stirs inside her, some inarticulable sense of the pull of distant places, of the immensity of the world and her own smallness inside it” (page 36). How does Anna’s response to the image of Cloud Cuckoo Land compare to Aethon’s when he envisions a city in the clouds in Folio D? What does Cloud Cuckoo Land represent for each of them?
3. Libraries play a central role throughout the novel, both as sanctuaries for children and as stewards of knowledge. Compare the library in Lakeport and the one aboard the Argos. How does the virtual library of Konstance’s time differ from the library in modern-day Idaho? In what ways are they similar? Imagine a library in the year 2200 AD. What does your futuristic library look like?
4. In the immediate lead-up to the siege of Constantinople, Anna and Omeir suffer personal tragedies on opposite sides of the city walls. How does the loss of Maria, Moonlight, and Tree affect these characters? What do you think would have happened to them had they not encountered one another in the forest outside Constantinople?
5. After the death of Trustyfriend, Seymour falls into deeper and deeper mourning for his beloved forests and their inhabitants. As a teenager, he becomes enraptured with a militant environmental justice group, lead by a mysterious figurehead known only as “Bishop.” In what ways does Seymour’s ideology initially match that of Bishop’s group? How does Seymour’s ideology in his adolescence compare to his thinking later in life? In your opinion, what accounts for the change?
6. Throughout the novel, Konstance wonders what drove her father to join the crew of the Argos. Name a few plausible motivations. If you were in his position, would you be willing to accept a spot on the Argos and leave the Earth forever? Why, or why not? Topics & Questions for Discussion n Simon & Schuster
7. Consider Zeno’s epiphany—that “Diogenes, whoever he was, was primarily trying to make a machine that captured attention, something to slip the trap” (page 490). Why is this realization so important to Zeno? What is an example of a story that was meaningful to you during your childhood, and what impact has it had on your life?
8. To gain entry to Cloud Cuckoo Land, Aethon must correctly answer a riddle. “He that knows all that Learning ever writ, knows only this.” The correct answer is “nothing.” Recall that this section of the original Greek manuscript was too eroded to read. Why do you think Zeno chose to complete the riddle in this way?
9. On page 534, Omeir thinks to himself, “All my life…my best companions cannot speak the same language as me.” What does he mean? What role does Omeir’s empathy for all creatures, regardless of their ability to communicate verbally, play in the story?
10. Ilium employs Seymour to help overwrite “potentially undesirable items inside the raw image sets” (page 562). Over the years, Seymour begins to rebel, hiding bits of code in Ilium’s system that, if touched, reveal the gritty reality beneath the corporation’s glossy alterations. Why does Seymour decide to stop cooperating with Ilium? Do you agree with Seymour, that it is important to remember the past in its entirety, sadness, ugliness, and all? Why or why not?
11. Consider the two possible endings to Aethon’s story. Based on Zeno’s translation up to Folio X, which path do you think Antonius Diogenes intended Aethon to take? Why do the children at the Lakeport library prefer the version in which Aethon returns home, and how would your perception of Diogenes’s tale be different if Aethon had remained in Cloud Cuckoo Land? How would it have changed your perception of Doerr’s novel as a whole?
12. Consider the many examples of nostos, or “homecoming,” in the novel: Konstance breaks free from the Argos and embarks on a life on Earth; Zeno returns home after the war to his quiet life in Lakeport; Omeir, too, returns home from war, to his beloved village in the Bulgarian hills; Seymour finds himself drawn to the virtual version of the hometown he left behind; Anna, always so restless, finds a peaceful life of love and intellectual freedom with Omeir. Which story did you connect with the most, and why? In your opinion, what does the novel have to say about the value of “home”?
13. Konstance’s narrative bookends the novel. Why do you think the author chose to start and finish Cloud Cuckoo Land with her story?