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Emma McKenna is a multidisciplinary writer and scholar. Her previous work as a musician includes the LP Run With It and digital EPs The Might and What It Becomes. Emma holds a PhD in English and cultural studies (ABD, McMaster University), and is an educator on social justice, intersectional feminism and sexuality studies. Emma’s academic writing can be found in Hypatia: Journal of Feminist Philosophy, Women: A Cultural Review, Atlantis: Critical Studies in Gender, Culture, and Social Justice and Review of Education, Pedagogy, and Cultural Studies. Emma lives with her partner in Hamilton, Ontario. Chenille or Silk is her first book.
“Emma McKenna’s confessional poetics hold power, subtle shifts and bittersweet complexities. With a voice that is just as striking on the page as off, McKenna’s debut collection provocatively straddles an evolution of queer desire, multi-layers of intergenerational trauma and class. This is poetry undressing slowly. Poetry coming undone. Poetry redressing pain and beauty, knowing all material is part of the fabric of being.” — Shannon Webb-Campbell, author of I Am a Body of Land and Still No Word
“These poems are as much about hiding out as they are about finding oneself, running away and coming to. They’re a testament to a difficult girlhood, where worth was not a given. And they’re a testament to surviving—finding likeness, light and calm—catching your breath. McKenna’s poems arrive with bloody lips and grass stains—sometimes tentative, but never frail—ready to be seen.” — Tara-Michelle Ziniuk, author of Whatever, Iceberg
“I love Emma McKenna’s Chenille or Silk—these poems are tough and tender and perfect.” — Zoe Whittall, author of The Best Kind of People
"Emma McKenna’s Chenille or Silk is a cliché buster, a conscious act of disruption. Just as the atom acts as a microcosm of the universe, each of her stanzas reflects the larger whole of the collection, each line surprising in its own way, tenderly formed. Through tight and verdant stanzas, McKenna examines trauma, difference, queerness, class. […] McKenna’s work is risky – her speaker is honest, direct, unflinching .. [the] poems are as tightly woven as they are emotionally resonant. They carry the ripe transcendence of lived experience and yet are presented tightly, carefully, each stanza lovingly crafted'" — Hamilton Arts & Letters magazine