Ghosts
César Aira
(Author)
Chris Andrews
(Translator)
Description
"On a building site of a new, luxury apartment building, visitors looked up at the strange, irregular form of the water tank that crowned the edifice, and the big parabolic dish that would supply television images to all the floors. On the edge of the dish, a sharp metallic edge on which no bird would have dared to perch, three completely naked men were sitting, with their faces turned up to the midday sun; no one saw them, of course." -- from GhostsGhosts is about a construction worker's family squatting on a building site. They all see large and handsome ghosts around their quarters, but the teenage daughter is the most curious. Her questions about them become more and more heartfelt until the story reaches a critical, chilling moment when the mother realizes that her daughter's life hangs in the balance.
Product Details
Price
$14.95
$13.90
Publisher
New Directions Publishing Corporation
Publish Date
February 01, 2009
Pages
144
Dimensions
5.46 X 6.96 X 0.36 inches | 0.28 pounds
Language
English
Type
Paperback
EAN/UPC
9780811217422
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About the Author
CÉSAR AIRA was born in Coronel Pringles, Argentina in 1949, and has lived in Buenos Aires since 1967. He taught at the University of Buenos Aires (about Copi and Rimbaud) and at the University of Rosario (Constructivism and Mallarmé), and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela. Perhaps one of the most prolific writers in Argentina, and certainly one of the most talked about in Latin America, Aira has published more than 100 books to date in Argentina, Mexico, Colombia, Venezuela, Chile, and Spain, which have been translated for France, Great Britain, Italy, Brazil, Portugal, Greece, Austria, Romania, Russia, and the United States. One novel, La prueba, has been made into a feature film, and How I Became a Nun was chosen as one of Argentina's ten best books. Besides essays and novels Aira writes regularly for the Spanish newspaper El País. In addition to winning the 2021 Formentor Prize, he has received a Guggenheim scholarship, and was shortlisted for the Rómulo Gallegos prize and the Booker International Prize.
The poet and translator Chris Andrews has won the Valle Inclan Prize and the French-American Translation Prize for his work.
Reviews
Utterly astonishing.
A languorous, surreal atmosphere of baking heat and quietly menacing shadows... puts one in mind of a painting by de Chirico.
Aira's literary significance, like that of many other science fiction writers, comes from how he pushes us to question the porous line between fact and fantasy, to see it not only as malleable in history, but also blurred in the everyday. The engrossing power of his work, though, comes from how he carries out these feats: with the inexhaustible energy and pleasure of a child chasing after imaginary enemies in the park.
Once you've started reading Aira, you don't want to stop.--Roberto Bolaño
Ghosts has some serious bite, for such a little book. Within it Aira likens literature to a building that has never been built, to an architect's dream. And though he never comes out and says it, I get the sense that for him the reader is always a ghost, haunting the unbuilt and the imagined, flying through time to attend to the party on the page.--Emily Keeler
A languorous, surreal atmosphere of baking heat and quietly menacing shadows... puts one in mind of a painting by de Chirico.
Aira's literary significance, like that of many other science fiction writers, comes from how he pushes us to question the porous line between fact and fantasy, to see it not only as malleable in history, but also blurred in the everyday. The engrossing power of his work, though, comes from how he carries out these feats: with the inexhaustible energy and pleasure of a child chasing after imaginary enemies in the park.
Once you've started reading Aira, you don't want to stop.--Roberto Bolaño
Ghosts has some serious bite, for such a little book. Within it Aira likens literature to a building that has never been built, to an architect's dream. And though he never comes out and says it, I get the sense that for him the reader is always a ghost, haunting the unbuilt and the imagined, flying through time to attend to the party on the page.--Emily Keeler
